Twin Peaks Quotes

Dale Cooper: Windom Earle's mind is like a diamond. It's cold, and hard, and brilliant.

TV Show: Twin Peaks
[Twin Peaks Mayor Dwayne Milford is holding Dr. Jacoby, Lana Budding Milford, Dale Cooper and the sheriff at gunpoint. He holds Lana responsible for the death of his brother, Dougie Milford]
Dale Cooper: Fellas, I've got an idea. Why don't we let Lana and the mayor talk things over together. Alone.
Mayor: I don't wanna talk. I wanna shoot.
Dale Cooper: Now Dwayne you can always shoot later. Talk first.

TV Show: Twin Peaks
Log Lady: [voiceover] A death mask. Is there a reason for a death mask? It is barely a physical resemblance — in death, the muscles so relaxed, the face so without the animating spark. A death mask is almost an intrusion on a beautiful memory. And yet, who could throw away the casting of a loved one? Who would not want to study it longingly, as the distant freight train blows its mournful tone?

TV Show: Twin Peaks
Pete: I owe it all to the immortal Master: José Raúl Capablanca. If there's chessboards in heaven, you'll find Jose sittin' across from the Lord.

TV Show: Twin Peaks
[Albert observes suspended Agent Cooper's plaid shirt and khaki slacks.]
Albert Rosenfield: Oh, Coop, uh, about the uniform…
Dale Cooper: Yes, Albert?
Albert Rosenfield: Replacing the quiet elegance of the dark suit and tie with the casual indifference of these muted earth tones is a form of fashion suicide, but, uh, call me crazy — on you it works.

TV Show: Twin Peaks
Log Lady: [voiceover] A hotel. A nightstand. A drawer pull on the drawer. A drawer pull of a nightstand in the room of a hotel. What could possibly be happening on or in this drawer pull? How many drawer pulls exist in this world? Thousands, maybe millions. What is a drawer pull? This drawer pull — why is it featured so prominently in a life or in a death of one woman who was caught in a web of power? Can a victim of power end in any way connected to a drawer pull? How can this be?

TV Show: Twin Peaks
[Albert and Cooper are discussing whether to arrest Josie Packard.]
Albert Rosenfield: There's an epidemic of multiple gunshot wounds following this chick around. She is a menace.
Dale Cooper: I'll talk to her. Maybe she'll confess. Turn herself in.
Albert Rosenfield: [sarcastically] Maybe she'll grow wings and join the circus.

TV Show: Twin Peaks
[Norma visits Hank in prison to ask him for a divorce. Hank tries to get Norma to lie to make up an alibi for him]
Hank Jennings: [aggressively] Okay. Then there's the deal. You give me my alibi, and I give you your divorce.
Norma Jennings: I didn't come here to negotiate with you. This is it. It's over!
Hank Jennings: Fine. Go ahead. You're his whore Norma.
Norma Jennings: I'd rather be his whore,... than your wife!

TV Show: Twin Peaks
[Pete, Sheriff Truman and Dale Cooper are thinking about the next move in the chess game against Windom Earle]
Pete Martell: Okay. This is it. Guaranteed to cause some sleepless nights.
Dale Cooper: As long as he can't remove another piece from the board. [a piece removed would mean an additional killing]
Pete Martell: He can't do it. Not at least for five, six more moves.
Sheriff Truman: Now maybe he'll kill anyway. Maybe it'll just frustrate him.
Dale Cooper: I don't think so Harry. Earle has a perverse sense of honor about these things.
Sheriff Truman: I'd never heard of a man who murdered by the rules.

TV Show: Twin Peaks
Log Lady: [voiceover] Sometimes — well, let's say all times — things are changing. We are judged as human beings on how we treat our fellow human beings. How do you treat your fellow human beings? At night, just before sleep, as you lay by yourself in the dark, how do you feel about yourself? Are you proud of your behavior? Are you ashamed of your behavior? You know in your heart if you have hurt someone — you know. If you have hurt someone, don't wait another day before making things right. The world could break apart with sadness in the meantime.

TV Show: Twin Peaks
[Pete, helping Cooper figure out how to outplay evil genius Windom Earle at chess, is interrupted by his "students".]
Lucy Moran: Mr. Martell, Andy moved his knight without doing the little hook thing.
Deputy Andy Brennan: You don't have to do the little hook thing; that's optional.
Pete Martell: Andy, uh… the knight has to do the "little hook thing".
Deputy Andy Brennan: Every time?
Pete Martell: It's a privilege! No one else gets to make that move.

TV Show: Twin Peaks
Log Lady: [voiceover] The beautiful thing about treasure is that it exists. It exists to be found. How beautiful it is to find treasure. Where is the treasure, that when found, leaves one eternally happy? I think we all know it exists. Some say it is inside us — inside us one and all. That would be strange. It would be so near. Then why is it so hard to find, and so difficult to attain?

TV Show: Twin Peaks
Benjamin Horne: Audrey, look, I know that I haven’t been a very good father. Oh hell, who am I kidding? When have I ever been anything but a sleazy rapacious heel?
Audrey Horne: Well Daddy, maybe when I was little, but...
Benjamin Horne: Exactly.

TV Show: Twin Peaks
Dale Cooper: I have no idea where this will lead us. But I have a definite feeling it will be a place both wonderful and strange.

TV Show: Twin Peaks
Gordon Cole: WHAT A BEAUTY. REMINDS ME OF THAT STATUE, THE BABE WITHOUT THE ARMS.
Dale Cooper: The Venus de Milo.
Gordon Cole: THE NAME WAS MILO BUT THAT'S BESIDE THE POINT. THAT'S THE KIND OF GIRL THAT MAKES YOU WISH YOU SPOKE A LITTLE FRENCH.

TV Show: Twin Peaks
Dale Cooper: Surefire cure for a hangover, Harry. You take a glass of nearly frozen, unstrained tomato juice. You plop a couple of oysters in there and you drink it down. Breathe deeply. Next you take a mound and I mean a mound of sweetbreads sauteed with some Canadian bacon and chestnuts. Finally some biscuits, big biscuits, smothered in gravy. Now here's where it gets tricky, you're gonna need some anchovies. You take — 
Sheriff Truman: [groaning] Excuse me.
Dale Cooper: [smiling] That should do it.

TV Show: Twin Peaks
Log Lady: [voiceover] Pie. Whoever invented the pie? Here was a great person. In Twin Peaks, we specialize in cherry pie and huckleberry pie. We do have many other types of pie, and at the Double R Diner, Norma knows how to make them all better than anyone I have ever known. I hope Norma likes me. I know I like her and respect her. I have spit my pitch gum out of my mouth onto her walls and floors and sometimes onto her booths. Sometimes I get angry and do things I'm not proud of. I do love Norma's pies. I love pie with coffee.

TV Show: Twin Peaks
Bobby Briggs: [seeing Gordon and Shelly kiss] Hey! What the hell's going on?
Gordon Cole: YOU ARE WITNESSING A FRONT THREE-QUARTER VIEW OF TWO ADULTS SHARING A TENDER MOMENT. [to Shelly] Acts like he's never seen a kiss before.
Dale Cooper: Uh, Gordon…
Gordon Cole: TAKE ANOTHER LOOK, SONNY. IT'S GONNA HAPPEN AGAIN!

TV Show: Twin Peaks
Benjamin Horne: We'll of course take care of your medical expenses.
Dick Tremayne: How kind. One might also think worker's compensation of some variety will be involved...
Benjamin Horne: Easily done.
Dick Tremayne: Capital, Mr. Horne. I'll alert my attorney.

TV Show: Twin Peaks
Windom Earle: Once upon a time, there was a place of great goodness called the White Lodge. Fawns gamboled there amidst happy laughing spirits. The sounds of innocence and laughter filled the air. When it rained it rained sweet nectar that paralyzed the heart with the desire to live one's life in truth and beauty... Generally speaking, a ghastly place reeking of virtue's sour smell, engorged with the whispered prayers of kneeling mothers, mewling newborns, and fools young and old compelled to do good without reason. But, I am pleased to note, our story does not end in this place of saccharine excess. For there is another place, its opposite, of almost unimaginable power, chock full of dark forces and vicious secrets. No prayers dare penetrate this frightful maw. Spirits there care not for good deeds and priestly invocations. They are as like to rip the flesh from your bones as greet you with a happy g'day. And, if harnessed, these spirits, this hidden land of unmuffled screams and broken hearts, will offer up a power so vast that its bearer might reorder the earth itself to his liking. This place I speak of, is known as the Black Lodge. And I intend to find it.

TV Show: Twin Peaks
Log Lady: [voiceover] There are clues everywhere — all around us. But the puzzle maker is clever. The clues, although surrounding us, are somehow mistaken for something else. And the something else — the wrong interpretation of the clues — we call our world. Our world is a magical smoke screen. How should we interpret the happy song of the meadowlark, or the robust flavor of a wild strawberry?

TV Show: Twin Peaks
[Windom Earle has Major Briggs tied up to a giant dartboard.]
Windom Earle: What is the capital of North Carolina?
Major Briggs: Raleigh.
Windom Earle: Fat load of good that'll do me.

TV Show: Twin Peaks
Pete Martell: Audrey, there are many cures for a broken heart. But nothing quite like a trout's leap in the moonlight.

TV Show: Twin Peaks
Doctor Hayward: Dammit, Ben. It isn't that simple. I believe you. I applaud your desire to do the right thing. But goodness in you is like a timebomb. And there's nothing good about ruined lives.

TV Show: Twin Peaks
Windom Earle: These evil sorcerers, dugpas, they call them, cultivate evil for the sake of evil and nothing else. They express themselves in darkness for darkness, without leavening motive. This ardent purity has allowed them to access a secret place of great power, where the cultivation of evil proceeds in exponential fashion. And with it, the furtherance of evil's resulting power. These are not fairy tales, or myths. This place of power is tangible, and as such, can be found, entered, and perhaps, utilized in some fashion. The dugpas have many names for it, but chief among them is the Black Lodge... But you don't believe me, do you? You think I'm mad. Overworked. Go away.

TV Show: Twin Peaks
Log Lady: [voiceover] A log is a portion of a tree. (Turning end of log to camera.) At the end of a crosscut log — many of you know this — there are rings. Each ring represents one year in the life of the tree. How long it takes to a grow a tree! I don't mind telling you some things. Many things I, I musn't say. Just notice that my fireplace is boarded up. There will never be a fire there. On the mantelpiece, in that jar, are some of the ashes of my husband. My log hears things I cannot hear. But my log tells me about the sounds, about the new words. Even though it has stopped growing larger, my log is aware.

TV Show: Twin Peaks
Dale Cooper: I believe the Black Lodge is the source of what you've traditionally referred to here as the evil in the woods.

TV Show: Twin Peaks
Log Lady: [voiceover] And now, an ending. Where there was once one, there are now two. Or were there always two? What is a reflection? A chance to see two? When there are chances for reflections, there can always be two — or more. Only when we are everywhere will there be just one. It has been a pleasure speaking to you.

TV Show: Twin Peaks
The Man from Another Place: Wow, Bob, wow. Fire walk with me.

TV Show: Twin Peaks
Dale Cooper: How's Annie? How's Annie? How's Annie?

TV Show: Twin Peaks