Muscle Shoals Quotes

David Hood: When Duane came here, he was on the Wilson Pickett session that we did.
Jimmy Johnson: There was always a slight problem when we would go out, all of us white boys with a black artist, that we'd get looks, okay? But there was nothing as bad as going out with a long-haired hippie with us white boys. They couldn't stand that, right? And so both of them stayed back.
Gregg Allman: So, they went on lunch break and my brother went up to Wilson and he said, uh, Man, why don't you cut 'Hey Jude', you know, that Beatles song?
Wilson Pickett: And at that point, I was mostly trying to create an original career Wilson Pickett, right? My songs.
Rick Hall: Pickett and I, in unison, both said Look, are you crazy? We're gonna cover the Beatles? And, of course, Duane said Exactly.
Jimmy Johnson: While we were gone, Duane changed our whole session. When you get to the vamp, it goes into just an unbelievable groove. Duane Allman was playing such great guitar fills that something happened in that vamp. And all of a sudden, there was southern rock. That was the beginnings of the Allman Brother Band.

Movie: Muscle Shoals
Rick Hall: Duane Allman, of course, came into Muscle Shoals and wanted a gig. So he put up his pup tent on my parking lot at the studio and found me. I gave him his shot.
David Hood: When Duane showed up, he was probably one of the first guys with long hair and kind of the hippie look, but what really made him stand out was he was a wonderful guitar player.
Rick Hall: I had never heard a slide guitar played like Duane Allman could play it.
David Hood: Duane had been in Los Angeles, had a group called the Hourglass with his brother Gregg.
Gregg Allman: They signed us on this big contract, and, uh, they wouldn't let us play anywhere. I think the first year we were there, we played like, three concerts. So he finally said Hey, I've had it with this place. I'm... I'm leaving. And he wound up in Muscle Shoals. But, uh, right before he left, I talked him into going horseback riding with me, 'cause we weren't doing anything. Finally I went out there and I said Listen, we go from the barn out to the field. We got to cross a paved road. I said The horse is shod. He says What?. It's got shoes on, you know? And if he slips, he'll bust both of your butts, so don't give him any reins. And guess what happened? And he hit it right here. [indicating his elbow]
Gregg Allman: He couldn't play. And he wouldn't let me in his house for about six weeks. And, I mean, that was... that was terrible, 'cause, I mean, you know, growing up without a father, he was somewhat of a father figure to me, even though he was only a year and 18 days older. So it came his birthday, November the 20th, and I went out and bought the first Taj Mahjal record and a bottle of Coricidin pills. He had this cold and he had his arm in a sling. He was pissed off at the world, and I did what I could do. I put it down in front of his door, I had it wrapped up and everything. And I knocked on the door and ran. I guess about two and half hours later, my

Movie: Muscle Shoals
Jimmy Johnson: I'm gonna tell you, working with Bob Seger was just magnificent, it really was. He was the kind of guy that he had no... ego. And Mainstreet is one of my really favorite cuts. Seger really put his heart in that one.

Movie: Muscle Shoals
David Hood: [about working for Rick Hall]That was very frustrating and hard on the musicians, because you think Well, I already did that.
Rick Hall: Nobody ever worked in the music business without getting their ass kicked. If they did, they're on the street somewhere pushing a wheelbarrow of concrete.
Jesse Boyce: He was kind of like a task master, and I don't fault him for that because he is an imperfect perfectionist. That's what made him great, though.

Movie: Muscle Shoals